104 lines
43 KiB
JSON
104 lines
43 KiB
JSON
{
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"episodes": [
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{
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"name": "Claude: Modern website redesign with portfolio and contact form",
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"content": "[Claude conversation: Modern website redesign with portfolio and contact form]\n\nYou: Q: Want to take some time to browse, or keep moving?\nA: I'll browse those and come back \u2014 let's pause here\n\nClaude: Sounds good, Aaron. Take your time clicking through those \u2014 especially the Architecture & Design community page and the templates. Pay attention to what makes you stop scrolling. When you come back, we can map out your full site architecture, figure out the page structure for both the academic and consulting audiences, and spec out that contact form. Have fun browsing.\n\nYou: oh god so ive notice that a lot of artist websites look like this and I just assumed it was an aesthetic choice but now Im seeing that all the cargo stites look similar [Claude conversation: Modern website redesign with portfolio and contact form]\n\nYou: oh god so ive notice that a lot of artist websites look like this and I just assumed it was an aesthetic choice but now Im seeing that all the cargo stites look similar\n\nClaude: Ha \u2014 yeah, you just pulled back the curtain. That \"clean grid, minimal typography, lots of white space, project thumbnails in a masonry layout\" look that's everywhere in the creative professional world isn't really an aesthetic movement. It's Cargo's design system. Once you see it, you can't unsee it.\n\nThis is actually a real consideration for you, and I want to be honest about it rather than hand-wave it away. On one hand, there's a reason that look is everywhere \u2014 it works, it's legible, it puts the work front and center. On the other hand, you're a designer. If your website looks like every MFA grad's portfolio site, that says something you probably don't want it to say. Especially when you're trying to position yourself as someone who builds things, who leads a fabrication lab, who works at the intersection of computation and manufacturing. That identity is distinct from the gallery-artist-with-a-Cargo-site world.\n\nYou *can* customize Cargo significantly beyond the defau",
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"category": "recent_conversation"
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},
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{
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"name": "Claude: University of Utah interview teaching example",
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"content": "[Claude conversation: University of Utah interview teaching example]\n\nYou: I guess the next class would be 2 d computational design. It's a programming for the arts course. We teach primarily in processing in Java.\n\nClaude: Got it \u2014 2D Computational Design, programming for the arts, primarily in Processing/Java. What's next?\n\nYou: We teach an advanced 3 d printing course This goes through advanced slicer stuff. We go through usage of the Stratasys equipment, both, FDM and PolyJet. The students also have the option of taking a, Stratasys certification the additive manufacturing certification at the end of the course. [Claude conversation: University of Utah interview teaching example]\n\nYou: Can we have one with just text only and I can let the PP AI designer have a try\n\nClaude: Here's V4 \u2014 completely plain. No colors, no shapes, no accent bars, no styled cards. Just text on white slides with all the speaker notes intact. PowerPoint Designer should have a field day with this. You've got both versions now \u2014 V3 with my styling if you prefer it, V4 plain for Designer to take a crack at. Upload the finished product whenever you're ready and I'll parse it.\n\nYou: Shit I forgot about this, does this count to something?:\n\nhttps://www.aaronmakingart.com/15-twitter-printer/ [Claude conversation: University of Utah interview teaching example]\n\nYou: Shit I forgot about this, does this count to something?:\n\nhttps://www.aaronmakingart.com/15-twitter-printer/\n\nClaude: Yeah, this counts. It counts in a few ways:\n\n**For the presentation prompt specifically** \u2014 this is a project that combines physical computing (Raspberry Pi, thermal printer, 3D printed housing), custom Python code interfacing with an API, and critical engagement with technology's social impact. It's a designed object that makes an invisible digital phenomenon physically present. That's exactly the kind of work that bridges the technical and the critical \u2014 which is where MDD lives.\n\n**For the room you're presenting to*",
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"category": "recent_conversation"
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},
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{
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"name": "Claude: Preparing for dinner with Jim Agutter",
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"content": "[Claude conversation: Preparing for dinner with Jim Agutter]\n\nYou: I\u2019m meeting with Jim for dinner tonight what can you tell me about him\n\nClaude: Jim Agutter is the founder of the Division of Multi-Disciplinary Design (MDD) at the University of Utah and chairs the search committee for the position you're interviewing for. Here's what's worth knowing heading into dinner:\n\n**Background:** He built MDD from the ground up, so he's likely to have strong opinions about the program's identity and direction. As both founder and search committee chair, his read on you will carry significant weight.\n\n**Research angle:** His work sits at the intersection of information visualization and design \u2014 he's done notable research in healthcare data visualization and complex systems display. There's natural overlap with your computational design work, particularly around data-driven design processes.\n\n**Conversation hooks:** Given that he founded a multi-disciplinary program, he'll probably respond well to hearing how you built HVAMC from scratch \u2014 the parallels are obvious (equipment, policy, client engagement, program growth). That shared experience of building something from nothing is a strong connector.\n\n**What to watch for:** As the founder, he may be protective of MDD's culture and trajectory. Listen carefully for what he signals about the program's future direction and where he sees gaps. His questions will likely reveal what he thinks the program needs most.\n\nWant me to search for any recent publications or projects of his, or anything else that might be useful before tonight?\n\nYou: Yes do a thourough search [Claude conversation: Preparing for dinner with Jim Agutter]\n\nYou: Yes do a thourough search\n\nClaude: Let me dig into Jim Agutter's recent work and background thoroughly.Here's the full picture on Jim Agutter going into tonight:\n\n**Current roles (he wears a lot of hats):**\nHis current title is Senior Associate Dean of Faculty Success & Academic Innovation in the Office of",
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"category": "recent_conversation"
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},
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{
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"name": "Claude: Realtor requirements for home buying in New York",
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"content": "[Claude conversation: Realtor requirements for home buying in New York]\n\nYou: do I need to have a realtor in ny state to buy a home?\n\nClaude: No, Aaron \u2014 it's perfectly legal in all 50 states to buy a house without using a real estate agent on your end, and New York is no exception. With the necessary due diligence, you can buy a house without a Realtor in New York.\n\nThat said, there's one important distinction for New York specifically: in New York, you must use a real estate attorney to assist with the paperwork and legal aspects of the transaction. This is different from many other states \u2014 NY is one of the states that requires attorney involvement in real estate closings. So while a realtor is optional, a real estate attorney is not.\n\nA few things worth keeping in mind as you're thinking about this up in the Hudson Valley area:\n\n**What a buyer's agent does for you** \u2014 they handle property searches, negotiate on your behalf, and guide you through co-op/condo board processes if applicable. Most home sellers have an agent working on their side of the deal, so it's smart to have someone on your side as a buyer too.\n\n**The cost question** \u2014 buying without an agent is rarely cheaper, as the commission your realtor would collect will likely just be collected by the seller's agent instead. That said, since the 2024 NAR settlement changes, commission structures are more negotiable and buyers may need to negotiate their agent's fee directly.\n\n**If you skip the agent** \u2014 you'll want to lean more heavily on your real estate attorney and be prepared to do your own comparable market analysis, negotiate directly with the seller's agent, and manage the inspection/appraisal timeline yourself.\n\nGiven that you're already in the area and presumably know the local market reasonably well, going without could be viable \u2014 but a good attorney is non-negotiable either way. Want me to dig into anything more specific, like first-time buyer programs in NY or what to look for in a real estat",
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"category": "recent_conversation"
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},
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{
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"name": "Claude: Memory",
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"content": "[Claude memory \u2014 what Claude has learned about Aaron]\n\n- {'conversations_memory': '**Work context**\\n\\nAaron Nelson is an Associate Professor of Digital Design & Fabrication and Program Director and Lead Researcher for the Hudson Valley Additive Manufacturing Center (HVAMC) at SUNY New Paltz, a facility he built from the ground up since 2016. He oversees the DDF minor (~50 students), a hybrid graduate program stacked with undergraduates, and industry partnerships with companies including IBM, Braskem, Selux, Sono-Tek, JBT, and Usheco. Aaron is actively weighing whether to remain at SUNY New Paltz \u2014 which faces structural budget deficits and program vulnerability risks \u2014 or pursue a major career transition, with a University of Utah faculty opportunity and an independent consultancy as the leading alternatives.\\n\\n**Personal context**\\n\\nAaron grew up in Tulsa from 1989 to 2001 and has a strong emotional pull back to the city and the broader Oklahoma/Rocky Mountain region. He has a merle border collie named Bird. He is working on a concept album about Tulsa \u2014 modeled on Terry Allen\\'s *Lubbock (on Everything)* \u2014 framed as an autobiography disguised as a breakup album with the city, drawing on his experience as a mixed-race person who felt rejected by Tulsa. He also maintains a range of design and illustration side projects (graffiti lettering, vector art, historical restoration work) and has interest in advanced geometric calculations relevant to fabrication contexts.\\n\\n**Top of mind**\\n\\nAaron has an on-campus interview at the University of Utah\\'s Division of Multi-Disciplinary Design (MDD) scheduled for the third week of April 2026, and interview prep is his primary active focus \u2014 including a concrete teaching example built around his Advanced 3D Printing chocolate casting project (PolyJet printing \u2192 silicone mold-making \u2192 food-safe casting \u2192 packaging and branding), which best demonstrates innovation with mixed-skill, cross-disciplinary students. He is simultane",
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"category": "recent_conversation"
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},
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{
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"name": "ChatGPT: Website architecture options",
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"content": "[Conversation: Website architecture options] Aaron: i want to make a modern webiste for a product with images, video, and e comerce integration. It should have aback end to be easily updateable by non technical staff once it is up in operation. What are the architectures or frameworks I should be looking at. ChatGPT: For what you\u2019re describing, you\u2019re basically choosing between a few big **architectural patterns**, and then some specific **framework + CMS + e-commerce** combos that fit your budget and tolerance for complexity. I\u2019ll lay this out like a menu so you can mix and match. --- ## 1. Start with the big picture: what \u201cshape\u201d of site? You want: - Modern front end (images, video, nice UX) - E-commerce - Non-technical staff can update content/products - Maintainable over time That leads to three common approaches: ### A. All-in-one hosted platform (least dev overhead) **Examples:** - **Shopify** (with a modern theme or custom front end) - **Squarespace** Commerce - **Wix** with e-commerce **Why pick this:** - Fastest to launch. - Non-technical staff can edit almost everything through the UI. - Payments, security, hosting managed for you. - Plenty of modern templates with video, sections, etc. **Trade-offs:** - Less control over custom interactions or weird layouts. - Developer work is mainly theme customization / apps, not full freedom. - Can get \u201cplugin soup\u201d if you bolt on too many apps. This is ideal if you want to focus on product and branding, not dev ops. --- ### B. Headless \u201cJamstack\u201d style (most flexible, very modern) **Concept:** - Front end built with a modern JS framework. - Back end is mostly **APIs**: headless CMS + headless e-commerce + media hosting. **Typical stack:** - **Front end framework**: - **Next.js** (React-based, great defaults, SEO friendly, hybrid static/server rendering) - Or **Nuxt** (Vue-based), **SvelteKit** (Svelte), **Remix** (React) - **CMS for non-technical editors**: - **Sanity**, **Contentful**, **Strapi**, **Prismic**, **Sto",
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"category": "mid_conversation"
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},
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{
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"name": "ChatGPT: Meat and longevity tips",
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"content": "[Conversation: Meat and longevity tips] Aaron: What kind of meat do you eat for longevity ChatGPT: That\u2019s a great question \u2014 the short answer is: there\u2019s no one \u201cmagic meat\u201d that guarantees longevity. But research does suggest that *which* meats you eat, *how much*, *how often*, and *how* they\u2019re prepared all matter a lot for long-term health. Below is a summary of what the science currently suggests, plus practical tips. --- ## What the evidence says Here\u2019s a synthesis of what observational and epidemiological studies show (with the caveat that diet studies are inherently tricky to interpret). ### Meat types & longevity risks - **Red meat (beef, pork, lamb, etc.)** Many large long-term studies have found higher intake of red meat (especially *unprocessed* red meat) to be associated with modestly increased risk of total mortality, cardiovascular disease, and certain cancers. \ue200cite\ue202turn0search3\ue202turn0search9\ue202turn0search2\ue201 Processed red meats (bacon, sausage, deli meats, etc.) have even stronger associations with health risks. \ue200cite\ue202turn0search9\ue202turn0search10\ue202turn0search18\ue201 - **White meat / poultry / lean cuts** Some studies show neutral or even slightly beneficial associations for \u201cwhite\u201d meats (e.g. chicken, turkey) when compared to red meat. \ue200cite\ue202turn0search3\ue201 - **Fish / seafood** Fish is often considered one of the more favorable animal proteins for longevity, especially when it replaces red and processed meats. In dietary patterns tied to longevity, fish often plays a key role. \ue200cite\ue202turn0search17\ue202turn0search11\ue202turn0search30\ue201 - **Very low meat / plant-based diets** Some cohorts suggest that diets with *very low* meat intake (or entirely plant-based) are associated with lower mortality risk over decades. \ue200cite\ue202turn0search5\ue202turn0search7\ue202turn0search11\ue201 However, other research cautions that the data are mostly observational and subject to confounding factors (e.g. overall lifestyle, socioeconomic status, access to health care) so we can\u2019t conclude strong causality. \ue200",
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"category": "mid_conversation"
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},
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{
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"name": "ChatGPT: Funk and jazz list",
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"content": "[Conversation: Funk and jazz list] Aaron: 100 funk and jazz you can include newer artists like meehand street band and vulfpeck i need a list to import into tunemy music ChatGPT: Awesome \u2014 you\u2019re looking for **100 tracks** blending **funk and jazz**, including **newer artists like Meenhan Street Band and Vulfpeck**. That\u2019s a killer combo! I\u2019ll break this into four batches of **25 songs** each so you can import them smoothly into TuneMyMusic. Here\u2019s the first batch of **25 funk and jazz-infused tracks**, mixing **classic and modern artists** to keep things fresh: --- ### \ud83c\udfb7 Funk & Jazz \u2013 Batch 1 of 4 1. Vulfpeck \u2013 **Dean Town** 2. The Mehan Street Band \u2013 **Midnight Morning** 3. Cory Wong \u2013 **Cosmic Sans** 4. Lettuce \u2013 **Phyllis** 5. Ghost-Note \u2013 **Swagism** 6. Snarky Puppy \u2013 **What About Me?** 7. Tower of Power \u2013 **Soul With a Capital \u2018S\u2019** 8. Average White Band \u2013 **Pick Up the Pieces** 9. Herbie Hancock \u2013 **Chameleon** 10. Maceo Parker \u2013 **Shake Everything You\u2019ve Got** 11. The New Mastersounds \u2013 **Your Love is Mine** 12. Stuff \u2013 **Foots** 13. Kamasi Washington \u2013 **Street Fighter Mas** 14. The Greyboy Allstars \u2013 **Still Waiting** 15. Prince \u2013 **Musicology** 16. Cory Henry \u2013 **Trade It All** 17. Parliament \u2013 **Give Up the Funk (Tear the Roof Off the Sucker)** 18. The JB\u2019s \u2013 **Pass the Peas** 19. Scary Pockets \u2013 **Ain\u2019t No Sunshine (feat. Kenton Chen)** 20. The Comet Is Coming \u2013 **Summon the Fire** 21. Roy Hargrove \u2013 **Strasbourg / St. Denis** 22. Soulive \u2013 **El Ron** 23. The Budos Band \u2013 **Up From the South** 24. Khruangbin \u2013 **Maria Tambi\u00e9n** 25. Tom Misch & Yussef Dayes \u2013 **What Kinda Music** --- Would you like the **next 25 tracks**? I\u2019ll continue with a similar energy and variety of classic & contemporary funk-jazz gems. Aaron: I want all 100 in a list that I can import into tune my music ChatGPT: Got it \u2014 here's a **single list of 100 funk and jazz tracks**, curated with a blend of **classic legends** and **new-wave artists** like Vulfpeck, Meenhan Street Band, Co",
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"category": "mid_conversation"
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},
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{
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"name": "ChatGPT: Variants for different SKUs",
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"content": "[Conversation: Variants for different SKUs] Aaron: i am running into an issue that i don;t know how to solve, where it seems like i need to have two products 1 each for the 6 inch and 8 inch segments so they get different skus ChatGPT: Yeah, you\u2019ve basically hit the point where \u201ctwo SKUs, one visual product\u201d becomes a thing \ud83d\ude42 You **don\u2019t have to** create two totally separate products in Sanity/Next for the 6\" and 8\" segments. Instead, you can treat them as **variants of a single product**, each with its own SKU (and price, stock, etc.), while keeping them on **one PDP**. Here\u2019s how I\u2019d handle it in your current setup. --- ## Conceptual answer - Each **sellable thing with a different SKU** should be its own **variant**. - Variants live under one **parent product** (your \u201cSegment\u201d product). - On the site, the user chooses **6\" vs 8\"** from a dropdown, and you use the variant\u2019s SKU when: - sending to your cart / checkout - syncing with inventory - showing price, etc. So you have **one product document** in Sanity like \u201cMossy Segment\u201d and inside it: - Variant A: 6\" / SKU SEG-6IN - Variant B: 8\" / SKU SEG-8IN --- ## 1. Sanity schema: add variants In your `product` schema, you can add a `variants` array and a `productVariant` object: ```ts // schemas/productVariant.ts export default { name: 'productVariant', title: 'Variant', type: 'object', fields: [ { name: 'label', title: 'Label (e.g. 6 inch)', type: 'string', validation: (Rule) => Rule.required(), }, { name: 'lengthInches', title: 'Length (inches)', type: 'number', }, { name: 'sku', title: 'SKU', type: 'string', validation: (Rule) => Rule.required(), }, { name: 'price', title: 'Price', type: 'number', }, { name: 'etsyVariantId', title: 'Etsy Variant ID (optional)', type: 'string', }, ], }; ``` Then in your `product` schema: ```ts // schemas/product.ts export default { name: 'product', title: 'Product', type: 'document', fields: [ // ...existing fields: title, slug, image, kind, etc. { name: 'variants', title: 'Variant",
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"category": "mid_conversation"
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},
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{
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"name": "ChatGPT: Hip hop weed songs",
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"content": "[Conversation: Hip hop weed songs] Aaron: hip hop songs about smoking weed ChatGPT: Nice! You're looking for hip-hop songs about smoking weed \u2014 a classic vibe with tons of iconic tracks. Here\u2019s a **25-song playlist** that blends classic stoner anthems, laid-back beats, and lyrical homages to cannabis culture across different eras of hip-hop: --- ### \ud83c\udf3f **Hip-Hop Weed Anthems \u2013 25 Tracks** \ud83c\udf3f 1. **Dr. Dre \u2013 \"The Next Episode\" (feat. Snoop Dogg)** 2. **Cypress Hill \u2013 \"Hits from the Bong\"** 3. **Wiz Khalifa \u2013 \"Still Blazin\"** 4. **Redman \u2013 \"How to Roll a Blunt\"** 5. **Curren$y \u2013 \"Mary\"** 6. **Devin the Dude \u2013 \"Doobie Ashtray\"** 7. **Bone Thugs-N-Harmony \u2013 \"Buddah Lovaz\"** 8. **Afroman \u2013 \"Because I Got High\"** 9. **Snoop Dogg \u2013 \"Smoke Weed Everyday\" (Outro of \"The Next Episode\")** 10. **Berner \u2013 \"20 Joints\"** 11. **Kid Cudi \u2013 \"Marijuana\"** 12. **Luniz \u2013 \"I Got 5 On It\"** 13. **Method Man & Redman \u2013 \"How High\"** 14. **Ty Dolla $ign \u2013 \"Love U Better\" (feat. Lil Wayne & The-Dream) [weed vibes]** 15. **ScHoolboy Q \u2013 \"Druggys Wit Hoes Again\" (feat. Ab-Soul)** 16. **Juicy J \u2013 \"Smokin' Rollin'\" (feat. Pimp C)** 17. **Flatbush Zombies \u2013 \"Palm Trees\"** 18. **Mac Miller \u2013 \"The Star Room\"** 19. **Freddie Gibbs & Madlib \u2013 \"High\" (feat. Danny Brown)** 20. **Rick Ross \u2013 \"Super High\" (feat. Ne-Yo)** 21. **Outkast \u2013 \"Crumblin' Erb\"** 22. **Joey Bada$$ \u2013 \"Paper Trail$\" [vibe fit, not directly weed-themed]** 23. **Action Bronson \u2013 \"The Rockers\" (feat. Wiz Khalifa)** 24. **Smoke DZA \u2013 \"Personal Party\" (feat. Curren$y)** 25. **Do or Die \u2013 \"Po Pimp\" (feat. Twista & Johnny P)** --- ### Want more? If you\u2019re vibing with this list, I can roll out another batch of 25 tracks \u2014 whether you want more chill beats, trap-heavy weed anthems, or a deeper dive into underground stoner rap. Just say the word \ud83c\udf2c\ufe0f\ud83d\udca8 Would you like a Part 2? Aaron: part 2 ChatGPT: Love it \u2014 let\u2019s keep the rotation going! \ud83c\udf3f\ud83d\udd25 Here's **Part 2** of your hip-hop weed anthem playlist \u2014 another **25 tracks** for those laid-back, cloudy ",
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"category": "mid_conversation"
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},
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{
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"name": "ChatGPT: Anvil Jeep with Wheels",
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"content": "[Conversation: Anvil Jeep with Wheels] Aaron: a anvil coloered jeep jl with white wagon style wheels ChatGPT: Picture a Jeep JL with an anvil gray paint job, giving it a sleek yet rugged look. The matte finish exudes strength and durability, perfectly matching the vehicle's off-road capabilities. The Jeep is outfitted with distinctive white wagon-style wheels that pop against the darker body, offering a nostalgic yet modern contrast. The classic design of the wheels gives a vintage touch, while the Jeep's boxy, muscular stance remains thoroughly contemporary. The vehicle stands ready for adventure, blending both style and function in a unique way. Would you like me to generate an image based on this description? Aaron: yes ChatGPT: { \"size\": \"1024x1024\", \"prompt\": \"A Jeep JL with an anvil gray paint job, featuring a matte finish for a rugged look. The Jeep has distinctive white wagon-style wheels that offer a nostalgic contrast against the darker body. The vehicle has a boxy and muscular stance, evoking a sense of strength and adventure, blending modern design with a touch of vintage style.\" } ChatGPT: Here are the images of the Jeep JL with an anvil gray finish and white wagon-style wheels, blending a modern rugged look with a vintage touch. Let me know if you'd like any adjustments! Aaron: the actual sheels shoudl be white ChatGPT: { \"size\": \"1024x1024\", \"prompt\": \"A Jeep JL with an anvil gray paint job, featuring a matte finish for a rugged look. The Jeep has pure white wagon-style wheels that stand out sharply against the darker body, giving a strong contrast. The vehicle maintains its boxy and muscular stance, exuding both modern design and vintage styling with these distinctive white wheels. The scene emphasizes the combination of strength, adventure, and nostalgic style.\" } ChatGPT: Here are the updated images of the Jeep JL, now featuring the pure white wagon-style wheels that stand out against the anvil gray body. Let me know if there's anything else you'd ",
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"category": "early_conversation"
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},
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{
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"name": "ChatGPT: Octopus Beer Line Art",
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"content": "[Conversation: Octopus Beer Line Art] Aaron: black and white vector line art of an octopus drinking a beer ChatGPT: { \"prompt\": \"A detailed black and white vector line art of an octopus drinking a beer. The octopus has intricate, swirling tentacles, some of which are holding a pint glass filled with beer. The scene is playful, with bubbles rising from the beer and a relaxed expression on the octopus' face. The octopus should have textured skin with fine linework to show detail, and the beer glass should have a frothy head. The image should have a clean, minimalistic design, with precise lines and a modern feel, suitable for a tattoo or illustration.\", \"size\": \"1024x1024\" } ChatGPT: Here are two different black and white vector line art designs of an octopus drinking a beer. If you'd like any adjustments or have more specific preferences, feel free to let me know! Aaron: Too busy ChatGPT: { \"prompt\": \"A simplified black and white vector line art of an octopus drinking a beer. The design should focus on minimalistic, clean lines with fewer details, making the composition less busy. The octopus can have smooth, flowing tentacles, and only one tentacle should hold a pint glass of beer. The beer glass should have a subtle frothy head, and the octopus should have a relaxed expression. Keep the linework thin and uncluttered, with a modern and simple style, suitable for a minimalist illustration or logo.\", \"size\": \"1024x1024\" } ChatGPT: Here are two simplified, minimalist designs of an octopus drinking a beer. Let me know if you'd like further adjustments! Aaron: too simple ChatGPT: { \"prompt\": \"A balanced black and white vector line art of an octopus drinking a beer. The design should have more detail than minimalistic styles but still maintain a clean, organized look. The octopus should have a few gracefully swirling tentacles, with one tentacle holding a pint glass with a frothy head. The octopus should have some light texturing on its skin, with thin, consistent lines, ",
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"category": "early_conversation"
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},
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{
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"name": "ChatGPT: Monty Python's Moving On",
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"content": "[Conversation: Monty Python's Moving On] Aaron: did monty python ever do sketches about moving on ChatGPT: Yes, Monty Python, the British comedy group, created sketches that explored the theme of moving on or moving forward in various contexts. Here are a few examples: 1. The Dead Parrot Sketch: In this famous sketch, a customer played by John Cleese tries to return a dead parrot to a pet shop. Despite the obvious fact that the parrot is deceased, the shopkeeper played by Michael Palin insists that it's simply resting or pining for the fjords. The sketch humorously highlights the frustrations of trying to move on from a faulty purchase or resolve a problem with stubbornness. 2. The Ministry of Silly Walks: This sketch features John Cleese as a civil servant who works in the Ministry of Silly Walks. The premise revolves around absurdly exaggerated and impractical walking styles. Although not explicitly about moving on, it satirizes bureaucracy and the rigid adherence to outdated traditions, hinting at the need to move forward and embrace change. 3. The Lumberjack Song: In this musical sketch, Michael Palin plays a rugged lumberjack who confesses that he wants to be a woman and wear women's clothing. The song humorously depicts his desire for change and moving on from his current profession to pursue a more unconventional path. 4. The Argument Clinic: This sketch portrays a customer, played by Michael Palin, seeking an argument at an argument clinic. John Cleese, who portrays the employee, engages in a series of illogical and infuriating exchanges, making it difficult for the customer to move forward or make progress in their argument. The sketch pokes fun at the futile nature of certain discussions and the challenges of resolving conflicts. These sketches and others created by Monty Python often incorporated themes of absurdity, social commentary, and the struggles of navigating everyday situations, including the desire to move on or deal with obstacles in comedic wa",
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"category": "early_conversation"
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},
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{
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"name": "ChatGPT: Generate Female Brunette Image",
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"content": "[Conversation: Generate Female Brunette Image] Aaron: I am going to upload an image, please generate an image of a mate, preference for female brunette ChatGPT: {\"prompt\":\"Generate a photorealistic portrait of a white brunette woman in her 30s, matching the level of attractiveness and style of the provided image. She should have a neutral to slight smile expression and a simple indoor background similar to the original setting.\",\"size\":\"512x512\",\"n\":1} ChatGPT: Here\u2019s an AI-generated portrait of a female brunette, roughly the same age and attractiveness level, set in a similar design-focused environment. I matched the lighting and background aesthetic to complement the original image you provided. Aaron: I am going to upload an image, please generate an image of a mate, preference for male brunette ChatGPT: {\"prompt\":\"A close-up portrait of a Caucasian man in his late 20s to early 30s with dark brown hair, neatly styled. He wears a casual button-up shirt and smiles gently at the camera. The setting is a design studio with a 3D printer and architectural models in the background. Soft, diffused lighting highlights his features, and the focus is sharp on his face, matching the style and warmth of the provided reference image.\"} ChatGPT: Here\u2019s an AI-generated portrait featuring a male brunette of a similar age and style, seated in a design studio environment to match the aesthetic of your original image. I\u2019ve aimed to reflect comparable lighting, attire, and background elements so that the two images complement each other. Aaron: make him bald and asian ChatGPT: {\"prompt\":\"Transform the referenced portrait by making the man bald with Asian facial features, while retaining the same professional setting, clothing, and lighting.\",\"size\":\"1024x1024\",\"n\":1,\"referenced_image_ids\":[\"15b170bc-0716-49a9-b3dc-619c3f69394f\"]} ChatGPT: Here\u2019s an edited version of the portrait: a bald, Asian male in the same design studio setting. I framed him with comparable lighting, attire, and ",
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"category": "early_conversation"
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},
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{
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"name": "ChatGPT: New chat",
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"content": "[Conversation: New chat] Aaron: python script for grasshoper that explode text ChatGPT: Certainly! Here's an example of a Python script for Grasshopper that explodes text: ```python import rhinoscriptsyntax as rs def explode_text(text): curves = [] objects = rs.ExplodeText(text) if objects: for obj in objects: if rs.IsCurve(obj): curves.append(obj) else: rs.DeleteObject(obj) return curves # Define the text to explode text = \"Hello Grasshopper!\" # Call the function to explode the text result = explode_text(text) # Print the result if result: for curve in result: print(\"Exploded curve:\", curve) else: print(\"No curves were created.\") ``` Make sure you have the Rhinoscript library (`rhinoscriptsyntax`) installed in your Grasshopper Python environment. In this script, the `explode_text` function takes a text string as input and uses the `rs.ExplodeText` function from the Aaron: i want to wrrite a compoent in python for grasshoper that explodes text ChatGPT: Certainly! Here's an example of a Python component for Grasshopper that explodes text: ```python import rhinoscriptsyntax as rs import Grasshopper.Kernel.Parameters as gkparams import Grasshopper.Kernel.Types as gtktypes class ExplodeTextComponent(GhPython.Assemblies.PythonComponent): def __new__(cls): instance = super(ExplodeTextComponent, cls).__new__(cls) instance.curve_output = gkparams.Param_Curve() return instance def get_ComponentGuid(self): return System.Guid(\"GUID-HERE\") def get_ComponentName(self): return \"Explode Text\" def get_ComponentIcon(self): return None def register_InputParams(self, pManager): pManager.AddTextParameter(\"Text\", \"T\", \"Text to explode\", gkparams.Param_Required) def register_OutputParams(self, pManager): pManager.AddParameter(self.curve_output, \"Curves\", \"C\", \"Exploded curves\", gkparams.Param_Output) def solve_Instance(self, DA): text = DA.GetData(0) curves = self.explode_text(text) DA.SetDataList(0, curves) def explode_text(self, text): curves = [] objects = rs.ExplodeText(text) if obje",
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"category": "early_conversation"
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},
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{
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"name": "Bosch Ind Study SP2022 Syllabus.docx",
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"content": "Independent Study Industrial Design Client Branding ARS - 495 3 Credit Hours Spring 2022 \u2013 M \u2013 R 3:15pm \u2013 5:00pm Aaron Nelson EIH 103 \u2013 HVAMC Office Hours: M-R 10am \u2013 12pm nelsona@newpaltz.edu This Independent Study will be focused on 3D design branding for visual identity. The student will combine all the skills gained through the DDF program to build a project from the inspiration phase to the completed branding product. Tools and skills used during the project will include use of additive and subtractive fabrication equipment, and assessment of materials. Student Learning Outcomes: Student will synthesize and apply skills that have been built from DDF course to create a completed project with finished parts. Students who participate in the project will: Demonstrate their understanding of the basic concepts, vocabulary, and semantics of design. Identify and analyze for correct materials choice and usage Utilize manufacturing knowledge to generate cost/pricing evaluations for market determination Develop and understanding of client\u2019s visual language and synthesize into compelling 3D design Texts Simplified Complexity by Giancarlo De Marco Algorithms Aided Design by Arturo Tedeschi Grading & Attendance Students will be graded based on the rubric below: Homework will be due at the end of the next class period, unless otherwise specified. Due dates will be given in class. To be considered complete homework must be submitted as follows: Completed files uploaded to Blackboard BEFORE the start of class in which it is due. Files must be your own work. Uploading files sourced whole from the internet or created by anyone other than you will be reported as an academic integrity violation. Files should be formatted as instructed, deviations from naming and format will be counted as points off. Files should include comments and attributions of borrowed code for full points. Late assignments result in 10% deducted per day the assignment is late (ex. if you submitted one day lat",
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"category": "document"
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},
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{
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"name": "Mod02_Industries_and_Applications.pdf",
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"content": "INDUSTRIES & APPLICATIONS USING STRATASYS 3D PRINTING Module 2 2 STRATASYS / A GLOBAL LEADER IN APPLIED ADDITIVE TECHNOLOGY SOLUTIONS Learning Objectives: \u2022 Identify 6 key industries leading in additive manufacturing using Stratasys technology. \u2022 Define the benefits and use cases for rapid prototyping, tooling and production parts. \u2022 Identify key FDM printing applications, their value and companies benefiting in the Aerospace Industry, Automotive Industry, Consumer Goods business, Healthcare: Medical and Dental \u2022 Describe the types of tools, printing solution and needs that 3D printing aides and tools have to general manufacturing (fabrication and assembly, health and safety, quality control, workflow) across industries. \u2022 Define Digital Manufacturing applications of Sandcasting, jigs and fixtures, EOAT, blow molding, End-use-parts, Silicone molding, Injection Molding and liquid silicone rubber parts. MODULE 2: INDUSTRIES & APPLICATIONS USING STRATASYS 3 STRATASYS / A GLOBAL LEADER IN APPLIED ADDITIVE TECHNOLOGY SOLUTIONS Additional Resources: \u2022 Embedded Videos \u2022 ACTIVITY Tooling Mini Challenge MODULE 3: INDUSTRIES & APPLICATIONS USING STRATASYS 4 STRATASYS / A GLOBAL LEADER IN APPLIED ADDITIVE TECHNOLOGY SOLUTIONS WHAT MATTERS MORE? OR 5 STRATASYS / A GLOBAL LEADER IN APPLIED ADDITIVE TECHNOLOGY SOLUTIONS https://www.youtube.com/watch?v=K11MWto9tKk INDUSTRIES & APPLICATIONS SHAPING OUR WORLD 6 STRATASYS / A GLOBAL LEADER IN APPLIED ADDITIVE TECHNOLOGY SOLUTIONS INDUSTRIES ManufacturingAerospace Automotive Consumer Products Healthcare 7 AEROSPACE 8 STRATASYS / A GLOBAL LEADER IN APPLIED ADDITIVE TECHNOLOGY SOLUTIONS SHAPING MANUFACTURING & SUPPLY CHAIN IN AEROSPACE APPLICATION VALUE WHO \u2022 Wind tunnel testing \u2022 Carbon fiber layups \u2022 Surrogate parts \u2022 Tooling for composite aero-structures \u2022 Production parts including interior cabin parts \u2022 Lighter weight parts \u2022 Advanced functionality \u2022 Improved fly-to-buy ratio \u2022 Increased supply chain efficiency with reduced invento",
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"category": "document"
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},
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{
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"name": "CAA Workshop.pdf",
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"content": "2019 CAA Conference Workshop Parametric Modelling with Rhino and Grasshopper Twisted Vase Demo Aaron Nelson Assistant Professor \u2013 Digital Design and Fabrication Hudson Valley Advanced Manufacturing Center State University of New York at New Paltz Rhino \u2022 Rhino is a surface modeler based on NURBS. \u2022 NURBS is a spline implementation that is the mathematical basis of the NURBS curve (Control Point Curve) \u2022 Curves can be used to describe the edges of Surfaces \u2022 Surfaces are infinitely thin 2D boundary areas \u2022 Multiple surfaces joined at their edges that define a closed 3D region is a Solid Grasshopper and Parametric Models \u2022 Grasshopper is a visual programming language allowing the development of parametric models driven by algorithm within the Rhino environment \u2022 We can perform operations on Rhino geometries referencing them into Grasshopper and passing them into components \u2022 Parametric Models are designs that are driven by input parameters. Adjusting these input parameters changes the geometry of the model as generated by algorithm. This gives us the ability to quickly iterate through form and geometry (form finding) Grasshopper Components Input Components Pass information to other components Container Components Contains Data (usually geometry) Standard Components Performs an operation on some input data Grasshopper Components and Data Flow data flow \u2013 left to right (no looping structures) number slider - input curve container red components are in error state yellow components are in alert state a single line indicates one piece of data passed double lines indicates multiple pieces of data passed dashed lines indicates multiple pieces of data passed as a data tree data from one component can be passed into multiple components The Topology of the Vase The vase is assembled from 5 surfaces \u2022 Surfaces are infinitely thin 2D boundaries \u2022 Surfaces do not exist in 3D space \u2022 To 3D Print the vase we need to define a closed 3D region (Closed Solid) with the surfaces The Top",
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"category": "document"
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},
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{
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"name": "GRAD_ARF_24-25.pdf",
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"content": "Graduate, Professional & Interdisciplinary Studies Graduate or Teaching Assistantship Appointment Request Form (ARF) Applicant Information Banner ID: N Sal. Name Major Code____________ GPA _______ Last First MI Address Street City State Zip Telephone New Paltz Email Home or Mobile Position Hiring Dept Residency ___ In-State ___ Out-of-State ___ Foreign (International students must fill out the information below regarding work eligibility) Country of Citizenship: _______________________ VISA Type:_______ _ Do you have the legal right to accept employment in the United States? ___ Yes __ No Proof of identity AND either US Citizenship or employment authorization are required prior to employment. Hiring Timeline Be attentive to your New Paltz email account! Communication regarding your hiring process will be conducted via NP email. More detailed information about the hiring process can be found on the Grad Studies website here. Attestation I hereby authorize investigation of all statement in this application and attached data as provided. I certify that such docu mentation is true and understand that misrepresentation or omission of facts called for in this form may be cause for refusal of employment or termination if I am offered a position. I understand that all graduate employees must satisfy the application and reappointment criteria listed in the Teaching Assistant and Graduate Assistant section of the Graduate, Professional & Interdisciplinary Studies website. If offered a position, I will submit e vidence of matriculation, cumulative GPA of at least 3.00 without grades of F or Incomplete, and registration for at least 6 graduate credits. Additionally, I understand that I must complete all hiring paperwork within 3 days of employment. Signature ________________________________________________________ Date _______________________________________________________ SUNY New Paltz does not discriminate on the basis of race, color, religion, sex, age, national origin, di",
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"category": "document"
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},
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{
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"name": "Thesis Request.pdf",
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"content": "8/11 \u2022 38-007 S TAT E U N I V E R S I T Y O F N E W YO R K GRADUATE THESIS REQUEST Office of Records & Registration, SUNY New Paltz, 500 Hawk Drive, New Paltz, NY 12561-2439 F all Spring Summer I Summer II 20_____ Please type or print: __________________________________________________________________ Last Name First MI Student ID Number __________________________________________________________________ _____________________________________ Local Address: Street Apt. No. E-mail __________________________________________________________________ (________) ___________________________ City State Zip Code T elephone Number Course Number ______________________ Abbreviated title of study ____________________________ Credits* _________ * Credits vary from one program to another and students should check the College catalog for credit permitted. Please PRINT Instructor\u2019s name _____________________________________ Instructor ID Number RECOMMENDED BY: _____________________________________________________ ________________________________________________ Signature of Student Date Signature of Instructor Date _____________________________________________________ Signature of Department Chair Date AFFIRMATION OF CHARGES: I, ____________________________________________________________ , have read SUNY New Paltz\u2019s graduate student Continued Registration policy (http://www.newpaltz.edu/graduate/cont_reg_affirmation_of_charges_form_final_11.9.10.pdf). I understand that: \u2022 if I register for Comprehensive Exam Preparation (XXX599) and fail to complete the exam at the end of the semester, or \u2022 if I receive an H grade in a Thesis course, but I\u2019ve completed my other course work required for my degree, I will be automati - cally registered for one credit of Continued Registration each fall and spring semester until I either submit my thesis for a grade or pass the comprehensive exam for my graduate program. Furthermore, I understand that I am responsible for payment of Continued Registrati",
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"category": "document"
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}
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]
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} |